My Friend Ed

I would like to tell you about my friend Ed. Ed was a teenager when I met him. I was also a teenager. We used to debate each other at school and frequent the same house parties, where we would drink goon from a Hills hoist (classy) and have intense conversations at three in the morning.

After school Ed moved to South Africa on exchange. I think he was only there for six months but he had the time of his life. He came back more tanned, confident and happier.

After I had known Ed for a couple of years, I dated his best friend, Joe. This lasted about five minutes. I was eighteen and confused. Joe was exciting and spontaneous and battling a host of mental health issues, including alcoholism and bipolar disorder. He broke up with me over text message with the words "I'm sorry darl, I'm not ready for a relationship at the mo." He was actually almost definitely right. Ed was more mentally stable than Joe and they had been friends for years.

One evening Ed had too much to drink and decided to drive to the service station to get some cigarettes. The service station was at the end of his street. He was pulled over on the two-minute drive, breathalysed, and had his licence confiscated. Some people thought that this meant he had a problem with alcohol, and he conceded that they might be right - although really he was just a nineteen-year-old boy. Most nineteen-year-old boys in Australia have what would be termed a "problem" with alcohol if it wasn't that everyone else of their age was doing it too.

Once, we drove with some friends to my parents' place, miles out of the city. It was quite a road trip. I drove; we giggled and chatted in the car as the windows fogged up against the winter air. My parents were out of town. We watched Four Rooms and Memento and went to sleep on the living room floor in front of the TV. We talked about our greatest regrets. I said that mine was disappointing my father. Ed lied about his. We talked about our greatest loves and our passions and plans for the future in the way that you do when you're eighteen and anything seems possible.

Joe moved away and Ed was finally able to emerge from his shadow. He played sport and moved into college; started working harder at uni and got a lovely girlfriend. I saw him around a lot, sometimes he came into my work and said hi, and we always said, "We should catch up for coffee." Soon, he was voted president of his college. Everyone said that he organised the best parties, but I never went.

One night in August one of the colleges held a ball. Everyone got really drunk. Ed got especially drunk and decided to walk home. He walked along the university oval at night. Maybe there was a rock, or maybe the ground was not quite level, or maybe he was just too slaughtered to walk straight. He fell and hit his head. He was dead within twelve minutes. He was twenty one, I think.

At his funeral Joe sang something by Coldplay. His father broke down. His brother said, "When I woke up this morning I was an only child", and began to cry, because it made me think of what life might be like without my brother. I sat in the back row with all my friends. He was the first of my contemporaries to have died. I wished we'd had that coffee.

Movie of the Week: X Men: First Class

Movie Of The Week: X Men: First Class
Director: Matthew Vaughn
Starring: James McAvoy, Michael Fassbender

Just putting it out there, I am a massive fan of X-Men. I saw the third one at the movies three times. Being that the third one has a pile of tripe in place of a plot, that's true commitment. I even enjoyed the hackneyed, overblown Wolverine spin off, although that might have been because of the triple leading-man whammy of Ryan Reynolds, Hugh Jackman and Liev Schreiber. When I heard Matthew Vaughn was following up last year's reboot of the superhero genre, Kick-Ass, with this, I pretty much actually wet my pants.

Vaughn, of course, is a fan of muscular violence and gritty realism, something which was much-missed from the last X-Men movie. And from the very beginning, he whips us into a fully-realised world. It's the 1960s, but not as we know them (actually it looks nothing like the 1960s, even though James McAvoy does say "groovy"), Professor X and Magneto don't yet exist, or rather they exist only as Charles Xavier and Erik Lehnsherr, young men struggling to hone their mutant powers. Both are recognised archetypes: Lehnsherr a brittle and emotionally-scarred Holocaust survivor, hooked on vengeance as he travels the world to find the Nazi who killed his mother. McAvoy is the foppish and affable young professor, arrogant with success  and always capable. It was a real stroke of casting genius to ask two character actors to ham it up like this: their budding friendship and mutual appreciation provides the beating heart to the film, and they look like they're enjoying not starving to death in an Irish prison or suffering from gangrene on the beaches of Normandy. In fact, their chemistry is so palpable and their charisma so awesome that really, it would've been better if there had been no other characters in the film, save for Kevin Bacon's multilingual baddie. The other mutants, which clearly exist for the fan boys alone; the sometimes sloppy CG effects, a dull subplot involving Beast's burning desire to be human and Rose Byrne's boring love interest should really all have taken a backseat to the development of these guys' powers. Instead, we are left with a rather cluttered plot which, despite cleverly incorporating the Cuban Missile Crisis and being helmed by Vaughn, never feels truly real. When your current competition in the superhero canon is Christopher Nolan's Batman and Vaughn's own Kick Ass, realism is essential. McAvoy and Fassbender shine when they're allowed and when Fassbender remembers to drop his native Irish accent, and the rest of the time is just filler between the sometimes tense, sometimes touching scenes involving these two.

However despite this, it's still X Men. Did I mention it's X Men? I am happy to ignore all its faults because, well, it's X Men...

Say Goodbye to the Great Australian Dream

My mum wants me to buy a house. She's wanted me to buy a house since I finished uni and got a "real" job. She wants me to have stability and to get onto the property market as quickly as possible. She sees it as an investment that will act as a guarantee for my future. Bless her, she worries a bit about what her eldest is going to do with her life, particularly as she seems more interested in sampling Melbourne's bar and restaurant scene and shopping online than putting money into a savings account.

One of my best friends has bought a house. She bought it for $115 000 or a similar unfathomable price about five years ago. It is probably now worth a lot more than that. Financially it's probably the smartest thing she ever did. Sometimes she finds it frustrating because now she's tied to that location for the foreseeable future, and all her spare money goes on repairing the gutter, and unfortunately the tenants with whom she shares the property turned out to be From Hell. But it was a very shrewd decision and in ten year's time she will be very glad she did it.

Unfortunately I am Generation Y and, as the newspapers are constantly telling us in a slightly patronising way, we are all about instant gratification. So telling me that it'll be a really great idea in TEN years really isn't going to do it.

You see, if I wanted to buy a house, there would be a few things which would need to happen. I would need to stop spending money on Asos and actually need to put some money into a savings account. I would have to make a decision about which city I want to live in. Unfortunately the city in which I currently reside is unlikely to make the final cut, so I would also have to more interstate/overseas and find a new job. So would Strummer, assuming that he would still want to live with me after I stop dressing in clothes from Asos and become consumed with saving money, Scrooge-style. Then I would have to move to the farthest reaches of said city in order to find a property I could afford. I would also probably end up boring my friends with stories about renovations, which has got to be the dullest topic of conversation ever.

And why, why would I want to do this? Granted, it would be nice to be able to have a dog. I get the whole "rent is dead money" argument. But I don't want to be tied down. I want to be free - to take off overseas for a couple of years, to spend my money on pretty nice things that make me smile rather than a dull grey mortgage, to enjoy my youth. I know I'm not twenty-one anymore and maybe it's time I learned some responsibility. But dammit, I like my life. I like living in a happening suburb. I like eating out and going to the theatre and shopping. I like that we dream about moving to Italy on a whim. I like that I'm not in debt to anyone, let alone a bank.

So what then? What if I never buy a house? Well, maybe when I'm forty I can stay on my friend's couch. Or maybe I'll regret not doing it in ten years' time. But I'm hoping that a more bohemian attitude will ultimately make me happy. And happiness is kind of more important to me than stability at the moment. I think of buying a house as something to do when I have done everything else. For some people, I guess they feel they've "done everything else" at twenty-one (they're probably the same people who travel to "get it out of their system") but for me, it seems like the boring option. And life wasn't meant to be boring. I don't want to live in Mordialloc in a half-renovated house for two years while I wait for the benefits of my shrewd financial decision to kick in.

So I'll take the hazardous rental market over the white picket fence, and live up to my generation's bad name.

That's Pretty Freaky, Bowie

This is my current favourite picture. I. LOVE. IT. I love that Diana looks so simultaneously scandalised and peeved. I love that this could be because she can hear what Bowie's saying, or it could be because some drunk bird is dribbling on her husband's shoulder. I love how polite Charles looks towards the possibly plastered girl beside him. I love that it looks like Bowie, John Deacon, Brian May and Roger Taylor are having a cheeky bitch about the guys in front, emphasised by Taylor's secretive palm and Bowie's knowing smile. I love that between them, Diana, May and Bowie are keeping Schwarzkopf in business. And most of all I love the frumpy three women in the back row, who clearly have no idea they're being photographed despite the rock-star royalty in front of them, and the ACTUAL royalty in the front row. Brilliant.

Movie of the Week: Incendies

Movie Of The Week: Incendies
Director: Denis Villeneuve (which might just be the coolest name of all time)
Starring: Lubna Azabal, Melissa Desormeaux-Poulin

After her death, a mother sends her adult children on a mission to find the father and brother they never knew they had. Their journey takes them to the Middle East and the village where their mother was born, as they find the truth about her past.

I originally wanted to see this because I loved the play - also called Incendies, or Scorched in English, by Wajdi Mouawad. The story is an intriguing albeit formulaic "going back to my roots" one, but the beautiful performances from the mother and daughter leads - particularly Lubna Azabal as the mother, Narwan - and the washed-out, harrowing cinematography kept me riveted from the very beginning. The hard-hitting reveal unfolded with delicacy and grace and when the penny dropped for the majority of the audience there was a rustle of horror through the cinema. The film is a little too long and could have benefited from some culling of unnecessary scenes and the titles which separate each "chapter" are joltingly out-of-place with the stark beauty of the landscapes or the classic method of storytelling. However the end product rises above all this and puts this among the best films I've seen this year.